Download Anna Halprin: Experience as Dance by Janice Ross PDF

By Janice Ross

Anna Halprin pioneered what turned referred to as "postmodern dance," developing paintings that was once key to unlocking the door to experimentation in theater, track, Happenings, and function paintings. this primary entire biography examines Halprin's attention-grabbing existence within the context of yankee culture--in specific pop culture and the West Coast as a middle of creative experimentation from the Beats in the course of the Hippies. Janice Ross chronicles Halprin's lengthy, amazing occupation, starting with the dancer's grandparents--who escaped japanese ecu pogroms and got here to the USA on the flip of the final century--and finishing with the current day, while Halprin maintains to defy barriers among creative genres in addition to among contributors and observers. As she follows Halprin's improvement from formative years into previous age, Ross describes in engrossing element the artist's roles as dancer, choreographer, functionality theorist, neighborhood chief, melanoma survivor, healer, spouse, and mother.Halprin's acquaintances and buddies contain a couple of artists who charted the process postmodern functionality. between her scholars have been Trisha Brown, Simone Forti, Yvonne Rainer, Meredith Monk, and Robert Morris. Ross brings to existence the important experience of experimentation in this interval. She additionally illuminates the paintings of Anna Halprin's husband, the real panorama architect Lawrence Halprin, within the context of his wife's environmental dance paintings. utilizing Halprin's dance practices and works as her concentration, Ross explores the consequences of danced tales at the our bodies who practice them. the result's an leading edge attention of the way event turns into functionality in addition to a masterful account of a rare lifestyles.

Show description

Read Online or Download Anna Halprin: Experience as Dance PDF

Similar dance books

Corporealities: Dancing Knowledge, Culture and Power

A ground-breaking number of essays that convey dance into the cultural stories mainstream, exploring the numerous methods we use bodies as vast, very important materials of cultural truth.

Anna Halprin: Experience as Dance

Anna Halprin pioneered what turned referred to as "postmodern dance," growing paintings that used to be key to unlocking the door to experimentation in theater, song, Happenings, and function artwork. this primary finished biography examines Halprin's interesting lifestyles within the context of yank culture--in specific pop culture and the West Coast as a middle of creative experimentation from the Beats during the Hippies.

Sharing the Dance: Contact Improvisation and American Culture

    In Sharing the Dance, Cynthia Novack considers the improvement of touch improvisation inside its net of old, social, and cultural contexts.  This  publication examines the methods touch improvisers (and their surrounding groups) encode sexuality, spontaneity, and gender roles, in addition to techniques of the self and society of their dancing.

Gertrud Bodenwieser and Vienna’s Contribution to Ausdruckstanz

First released in 1999. Routledge is an imprint of Taylor & Francis, an informa corporation.

Extra info for Anna Halprin: Experience as Dance

Sample text

Martha Graham’s teaching assistant, Ethel Butler, 34 THE SECRET GARDEN OF AMERICAN DANCE found the landscape equally stifling: “I couldn’t breathe out there. . ” Ann didn’t register any specific response to the California setting that summer, but eventually she would experience the western influences Cassidy outlined and, through her, they would radiate out, to the field as a whole. For her summer studies Ann again chose Humphrey’s technique over Graham’s, noting that “Doris’s work came easy to me—she was friendlier.

Foucault also discusses the control imposed by examinations and cursive writing: “Good handwriting, for example, presupposes a gymnastics—a whole routine whose code invests the body in its entirety, from the points of the feet to the tip of the index finger. . ”30 Foucault’s argument suggests that Washburne’s abandonment of cursive writing, tests, and the traditional classroom hierarchies liberated Ann in ways more profound than anyone knew at the time. Not until high school did Ann encounter the usual compulsory obedience to rules and subservience to the teacher signified through the student’s “docile” body.

In 1934 she had appeared in her first major public performance, dancing with a small student group at the Chicago World’s Fair, where they performed Denishawn-style dance under Pratt’s direction. What Ida and Isadore had not counted on was just how influential having dancers living in the house would be for Ann. Ann, however, was not really aware of how financially tenuous the life of a modern dancer was in this period. 48 Dancers on a two-week tour of the Midwest with Humphrey in February 1936 reportedly received thirty-five dollars a week in wages, a significant improvement after months of unpaid rehearsals and teaching for a salary of two to five dollars a class.

Download PDF sample

Rated 4.61 of 5 – based on 11 votes